| Лейбл та номер: | Analogue Productions – APB 036 |
| Формат платівки: | Вініл, LP, Альбом, Перевидання |
| Країна виробник: | США |
| Рік випуску: | 1996 |
| Музичний жанр: | Блюз |
| Музичні стилі: | Chicago Блюз, Harmonica Блюз |
Пісні:
| Название песни | Время звучания |
|---|---|
| The Sky Is Crying | 3:17 |
| Slowly Walk Close To Me | 3:24 |
| Once Upon A Time | 3:13 |
| Don’t Let Your Right Hand Know | 6:11 |
| Movin’ Out | 3:40 |
| Coming Home To You Baby | 4:01 |
| I Can’t Understand | 3:20 |
| Same Girl | 4:48 |
| Gettin’ Together | 3:47 |
| Why Are You Crying? | 2:51 |
| Girl Friends | 4:39 |
| When The Lights Went Out | 4:25 |
Додатково:
Обмежений наклад Vinyl
A portion of the pressings were numbered (Sticker on the back of jacket).
Recorded in Copenhagen, Denmark
Licensed from Storyville Records
LP Matrix: Record Technology, Inc., Gary Salstrom, record plating manager
LP Pressing: Record Technology, Inc., Rick Hashimoto, plant manager
Mastering Equipment:
Cutting Amplifier: Audio Research V 140 (tube mono block)
Cutting Lathe: Neumann VMS 70 (modified)
Cutting Head: Neumann SX 74
Console: Neumann SP 272 (modified)
Mastering Deck: Studer A 80 VU2 (modified with 1/4″ & 1/2″ Head Stacks)
Power Supply: Power Wedge – Wedge V & IV
Amplifier Rack: Neumann – VG 66 (modified)
Preview: Zumaudio Inc.
Playback
Turntable: Kuzma Stabi
Tone Arm: Kuzma Stogi
Cartridge: Dynavector 50X MK II (High output moving coil)
Preamp: VTL PR9 Ultimate preamp with balanced MC inputs
Amplification: VTL MB300 Signature Моноblocks
D/A Converter: VTL TDAC-2 Converter 20 BIT Ultra Analog
CD Transport: California Audio Labs Delta
Speakers: Wilson WATT/PUPPY System V
AcousTech
The lacquer for each Analogue Productions Revival Series LP was cut by Stan Ricker using the state of the art Wilson Audio Custom Tube Mastering system, recently acquired by AcousTech Mastering, a joint venture between Acoustic Sounds and Record Technology, Inc. The system was further upgraded by the renowned Neil Muncy and installed at RTI’s production facility in Camarillo, California. With one of the world’s finest plating and pressing facilities located in-house, the lacquer was processed within minutes of being cut, before any degradation to the delicate grooves could occur. Test pressings, generated immediately following the plating process, were meticulously inspected visually, and carefully auditioned, before the stamper was approved for use in a limited production run of records.